Substratum of memories Participant #3
Ana Loureiro
Exhibition Opening March 28, 7 pm
Exhibition from 29.03 – 10.04
Opening: 28.03.2023,
7 pm
Finissage: 10.04.2023, 7 pm
We open by appointment
Substratum of memories main subject of analysis is the interpretation of the relationship that 3 participants had with their spaces. More in specific, rooms which had a special meaning or an emotional bond for that person in a specific context.
The participants were invited to answer a questionnaire in where they had to describe a house division and its special objects. After collecting all the descriptions, the artist interpreted and recreated those spaces and objects through a multi-disciplinary approach.
Website: www.analoureiro.com
Instagram: @analoureirofernandes
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
ZORY:UA
artists: Alina Prisich | Julia Kafizova | Sokrat Maslov | Anastasia Beliaieva | Vitalii Khomenko | Markiian Rusul | Julia Luzina | Margarita Dubovska | Мarysia Myanovska | Yelyzaveta Nezhyva
curated by Ukrainian artist collective GORSAD
Opening Thursday March 9 starting at 7 pm
The subject of the upcoming exhibition is "Freedom" for all the meanings of the word.
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
HOLZ, HOLZ, HOLZ
David Moises
Christina Hartl-Prager
Opening tuesday, jannuary 10th, 7pm
Eine pointierte Performance in drei Akten.
A pointed performance in three acts.
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
La trahison des images
Kai Philip Trausenegger
Panni Sibitka
Organized by István Antal
Opening November 18, 7 pm
The intemezzo deals mainly with themes of chivalry and courtly love. Most are metaphysical, intellectual, and formulaic. Many are humorous or vulgar satires. The works can be grouped into three styles: the trobar leu (light), trobar ric (rich), and trobar clus (closed). Likewise there are many genres, the most popular being the canso, but sirventes and tensos are especially popular in our post-classical period.
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
La trahison des images
Alina Panasenko
Danylo Kovach
Natalia Onikienko
Polina Makarova
Tanya Shtykalo
Opening Thursday August 25, 5pm
Our exhibition is a preview of artworks from Ukrainian artists, who will be part of a charity auction, organized by Notgalerie (an art project run by Reinhold Zisser, the same artist who founded the LLLLLL artist run space).
The title’s origin "La trahison des images" comes from René Magritte and translates its means as "The betrayal of images,” which refers to his well known painting showing a pipe and beneath are the written words "„Ceci n’est pas une pipe.“ - "This ain't a pipe"
How can artworks that refer to a war that is happening in this moment be viewed and reflected? Is the classic western European logic between picture and image, the real object and it's representation still valid? - Or is there an essence, a spirit in the works of these artists who just fled from war / still in Ukraine in potential war areas, that breaks the frame of reference?
Are these works messengers trying to communicate an impression of what is happening to others or are they themselves completed entities, preserving a content that is only accessible to those who witnessed it themselves?
As soon as we accept that images can carry a true content, we enter a dangerous field navigating through truth and propaganda — meaning the narrative of the war and its images.
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
Moments
Johanna Baschke
kuratiert von Johannes Baudrexel
Vernissage 07. Juni, 17-21 Uhr
Artist Talk 09. Juni, 18-21 Uhr
Finnisage 05. Juli, 17-21 Uhr
LLLLLL artist run space lädt zur Einzelausstellung "Moments" ein. "Moments" ist eine Videoarbeit, in der die Künstlerin Johanna Baschke selbst vor die Kamera tritt. 19 Einzelclips hat Baschke angelegt, in denen sie eine Kiwi rasiert, sich einzelne Schamhaare zupft oder einen neutralen Gesichtsausdruck bis zur lächelnden Grimasse übertreibt. Die Videofragmente werden von einer Textaufnahme begleitet, die von ihr selbst verfasst und eingesprochen wurde. Baschke beschreibt ihre Arbeit als einen „persönlichen Reflexionsprozess“ und als einen „Versuch eines subversiven Umgangs mit Verkörperungen geschlechtlicher Sozialisation.“ Die Künstlerin geht einem eigenen inneren Konflikt nach: aufgewachsen als heterosexuelle Cis-Frau, konfrontiert mit den vorherrschenden gesellschaftlichen Erwartungen an das als weiblich gelesene Geschlecht.
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
ZUSTAND STEIN zwischen durch aus vor
Christina Romirer, Daniel Hafner, Marit Wolters, Nadine Lemke
Vernissage 19. April, 17-21 Uhr
geöffnet am 30. April, 15-18 Uhr
Finnisage 10. Mai, 17-20 Uhr
Ausstellungsdauer 20. April - 10. Mai
LLLLLL artist run space lädt zur Gruppenausstellung "ZUSTAND STEIN zwischen durch aus vor" ein. Die Künstler*innen Christina Romirer, Daniel Hafner, Marit Wolters und Nadine Lemke loten Verwendungen und Erscheinungen von Stein aus.
LLLLLL öffnet auf Anfrage (per E-Mail).
Wir Bitten darum eine FFP2-Maske während Ihres Besuchs zu tragen.
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
no DREAM ESTATE nation
Katrin Plavčak / Esther Stocker
Eröffnung Freitag 11.März – 18 Uhr
Ausstellungsdauer 12.März bis 10.April
no DREAM ESTATE nation war der Titel einer Ausstellung im Sommer 2021.
Unter freiem Himmel, am Wiener Stadtrand, am Areal der Notgalerie Seestadt.
Die Ausstellung zeigte Arbeiten von 19 Künstler*innen und wurde von Karin Pernegger und Reinhold Zisser kuratiert.
Auszug aus dem Ausstellungstext:
“Am Grat von Utopie und Dystopie, sanfte Wellen am See, feine Linien im Kalkül politischer Entscheidungen, marktorientiert, zukunftsweisend. Das Gefühl der letzten Stadt. Kornfelder vor Real Renderings, Littering am See, dann doch ein Flirren, Glitch eines sich wiederholenden Gebäudes. Die no DREAM ESTATE nation, ein Ort der auf die Zukunft blickt, oder bereits das Danach – die Wilden von Aldous Huxley, die no nation people. (…) Diese Landschaft wird die kuratierte Momentaufnahme eines langen Atemzugs. Unabänderlich – aber vielleicht doch wieder ganz anders – manifestiert sich die Überzeugung an die Substanz und ihre Eigenschaft, blitzschnell den Aggregatszustand zu wechseln.“
Ein halbes Jahr später. Die Arbeit von Esther Stocker, eine 2,5 x 2,2 Meter große Malerei auf Holzplatten, aufgebaut auf einem der Displaysockel der Notgalerie, drei Meter hoch, eine mehrere Tonnen schwere Plattform aus Holz und Beton, wurde bereits im Sturm umgeweht. Das Schaukelhaus von David Moises über mehrere Etappen von Jugendlichen demontiert. Nur die Fahne mit dem Ausstellungstitel „no DREAM ESTATE nation“ auf einem Bild von Katrin Plavčak weht noch immer.
Wir fragen uns heute was darf Kunst gerade? Was ist ihre Aufgabe? Wohin sollen die Blicke und Gedanken gerichtet werden?
Der Ort an dem die Objekte der Ausstellung im LLLLLL entstanden sind versucht sich in den Dienst der Hilfestellung zu begeben. Dazu wurde der aktuelle Artist in Residence opencall umgewidmet. Die Notgalerie Seestadt – DREAM ESTATE soll Ukrainischen Künstler*innen zur Verfügung gestellt- und Unterkunftsmöglichkeiten bereitgestellt werden.
Siehe dazu www.notgalerie.at
Gestrichen wird der Schriftzug DREAM ESTATE.
Es sind nicht Sehnsuchtsorte sondern Zufluchtsorte die jetzt wichtig sind.
Bevor in der Seestadt eine neue Fahne gehisst wird, wird die alte eingeholt.
Im LLLLLL begegnen wir Versatzstücken von Esther Stocker und Katrin Plavčak aus der Zeit des DREAM ESTATE.
Ebenfalls eine Malerei von Katrin Plavčak.
Marco Fiorletta über die Arbeiten von Esther Stocker:
Das erste, was beim Betrachten von Esther Stockers Gemälden auffällt, ist die Veränderung der Beziehung zur Wahrnehmung. Die Beziehung zwischen Wahrnehmung und Oberfläche wird aufgehoben und verändert. Das Auge wird in die Stille der abstrakten Geometrie und des Schwarz-Weiß versetzt. Der Raum umhüllt den Betrachter, fordert ihn heraus und spielt mit seinen Erwartungen. Nach der Gestaltpsychologie erfasst das Subjekt die Bilder, indem es die Lücken in ihnen ausfüllt und eine Fülle konstruiert, wo keine ist. Das Auge sieht, was es gewöhnt ist. Die Arbeiten von Esther Stocker bestehen auf diesem vorausschauenden Charakter der Wahrnehmung, auf dieser Vorwegnahme des Bildes und versuchen, es nicht zu verstärken, sondern zu brechen.
(...) Eine Gravitation ist vorhanden, aber gleichzeitig entgeht ihr etwas. Esther Stockers Arbeiten scheinen nicht so sehr zu sagen, dass das Kunstwerk seinen Ursprung in der Unordnung hat, sondern vielmehr zu zeigen, wie es möglich ist, in der Anziehungskraft der Ordnung einen Kurzschluss zu finden, eine Energie, die einerseits die Ordnung überwindet und andererseits ihr Bewegung verleiht.
Katrin Plavčak zeit eine Großformatige Malerei mit dem Titel „Men in Balance“
Die Künstlerin über die Arbeit:
„Die Arbeit bildet eine Person beim aktiven Versuch, mit Denkmälern im öffentlichen Raum umzugehen und sie performativ in Frage zu stellen ab.
Zu sehen ist ein Mann, der Planking betreibt, sich auf dem Kopf eines Lenin-Denkmals ausstreckt, der auf den Fussspitzen bestrumpfter Beine liegt, die wiederum als Kopfschmuck dreier Männer fungieren, die sich in langen Kleidern eine Zigarette gönnen. Was bedeutet es, ein Mann zu sein? Womit will sich die Mehrzahl der Männer auf dieser Welt identifizieren? Die meisten Denkmäler sind Männern gesetzt. Mir fällt nur eines ein, das eine Machthaberin darstellt, und das ist das Maria-Theresien-Denkmal im Zentrum von Wien. Dass diese Kaiserin eine Frau war, hat sie nicht davon abgehalten, während ihrer Regentschaft zahlreiche Kriege zu führen.
Es ist die Frage, ob Geschichte weiterhin als eine Aneinanderreihung von Kriegen gesehen wird, oder ob die Geschichte der Menschheit sich an humanen und globalen gemeinschaftlichen Errungenschaften misst und diesen in Zukunft Denkmäler setzen wird.“
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
Spare me your sanity
Johannes Baudrexel
Vernissage 22. Feb. 22, 5-9 pm
Exhibition 23. Feb. - 05. Mar. 22
Artist Talk 01. Mar. 22, 5-9 pm
Finissage 05. Mar. 22, 5-9 pm
LLLLLL artist run space proudly presents this year's first exhibition Spare me your sanity by photographer and artist Johannes Baudrexel. The exhibition is curated by art history student Vanessa Wavrouschek. You are invited to join the Opening on Tuesday 22. Feb. starting at 5 pm and also to get to know the artist during an Artist Talk on Tuesday 01. Mar. at 5 pm.
Spare me your sanity is Johannes's ongoing photography work which is inspired by personal impressions of a manic-depressive, demented, and later departed father. The work wants to tell about the human being of a late modern society permeated by false promises of happiness and an incessant pressure to perform. An essential part of his photography is the appropriation of private and public space for performance interludes which the artist performs by himself.
Johannes Baudrexel is a German photographer who lives and works in Vienna. He studied media design and graduated with a master's degree in design and photography from the FH Bielefeld in Germany. Major constants of his artistic work has become a cynical view on everyday life and a passion for practising staged photography. The artist has a strong interest in creating photographic caricatures and portraits that explore and reflect social issues and trends of visual culture.
The Artist Talk will be held in German.
LLLLLL will open by appointment during the exhibition period (please register by E-Mail).
A maximum of four people at once are allowed in the showroom.
Please make sure to wear an FFP2-mask during your visit.
We are looking forward to your visit!
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
LOWLAND 7
REAKTION AKTION
opening Fri, 15th Oct. 2021, 6 - 9pm
exhibition 16th Oct. - 14th Nov. 2021
open by appointment
Twelve artists are coming together without hesitation to dive into the catalyst of mutual influences – opening instead of isolation: artist group and magazine ”Lowland“ are going to be in Vienna for their unique cycle of 2021.
On the 15th of October, their group show will open at artist run space LLLLLL to present the
products of their encounters within the disciplines of installation, photography, sculpture,
painting/drawing and video.
The magazine emerging from this cyle captures the exchange of positions in a tangible
form of poster-magazine arrangement.
And it goes on: in return the Vienna artists involved in this cycle will be invited to Stuttgart
to present their response work in a group show.
The exhibition at LLLLLL features the reaction works of 6 Stuttgart based artists:
Min Bark (in reaction to Darja Shatalova)
Johanna Mangold (in reaction to Anna Khodorkovskaya)
Paula Pelz (in reaction to Elena Kristofor)
Anne Pflug (in reaction to Kristina Cyan)
Christiana Teufel (in reaction to Kaja Clara Joo)
Damaris Wurster (in reaction to Jelena Micić)
The 6 Vienna based artist, whose reaction works will be shown in Stuttgart, are:
Kristina Cyan (in reaction to Anne Pflug)
Kaja Clara Joo (in reaction to Min Bark)
Anna Khodorkovskaya (in reaction to Damaris Wurster)
Elena Kristofor (in reaction to Paula Pelz)
Jelena Micić (in reaction to Christiana Teufel)
Darja Shatalova (in reaction to Johanna Mangold)
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS and Bezirk 1030 Landstraße
Divided Spaces
Traces /// Visions
Lucie Nováčková / Martin Vlček
at LLLLLL artist run space
Opening Thursday, August 5, 7 pm
ARTIST TALK starting at 8 pm
at LLLLLL artist run space
on Thursday, August 5, 7 pm
ARTIST TALK starting at 8 pm
at Notgalerie - DREAM ESTATE
on Saturday, August 7, 7pm
ARTIST TALK starting at 9 pm
Pragovka Gallery is an autonomous Gallery Project in Prague with a wide range of tasks and functions. It emerged out of an act of appropriation and subsequent use of an old factory site. The project started in this factory, situated at the outskirts of the city, when a big company began a renovation process of the area. For almost ten years of studios existing in the area, that in the beginning had a feeling of an interim use of an space in transition, continuously grew during 3-4 years into a form of an Prague art institution.
“Real places, effective places drawn into the institution of society, counter-placements or abutments, so to speak, actually realized utopias in which the real places within culture are simultaneously represented, contested and turned, places outside of all places, as it were, however they can actually be located”
Michel Foucault:Die Heterotopien/Der utopische Körper
The fibre materials that she is working with in her installations are symbols of two completely different moments. On the one hand symbols of a classic female craft with its spiritual power based up on female weavers positions in certain nomadic cultures. At the same time and in our west circumstances, symbol of a disruption in which a system has been dissected down to its last parts. Through the open warp technology, she using as the base for her installations, she confronts the viewer with the feeling of emptiness, loss and non-repeting situations presented by repetitive acts, during which the names of the work are pointing at the parallel of the warping the text and material she uses, which both are revealing something hidden.
The essential marks of the installation of both artists are the ones of absence of the treated object.
Martin Vlcek shows in his work The hands of Tiba never stop working a video installation documenting the attempt to reactivate an already past history inscribed in the site of an abandoned textile factory in a performance. The installation evoking a camera and a total station is kind of a memorial or a memory blackbox of an already demolished place.
Lucie Novácková's installation No matter how hard you try I would never be the same as before is showing a moment of defragmentation, creating a beauty that in the same moment carries a moment of loss as substantial moment of a new creation. For this site specific installation she used the fragments from the work “Latency, black”, presented at Pragovka 2020 and what was hidden in the original installation, at lll becames the ground stone of the object, which works directly with the space of LLL, using the spacial circumstances as the basis for re- creating the installation, formerly drowned in black color.
The exhibition takes on the moment started at the initial show at LLLLLL but starts to shift the moment of absence. In Martins installation the Lights begin to shine again in a new setting. Not anymore as light sources for the illumination of a workplace where goods are produced but as a representation of a fire place, a spot to gather around and to show the body of the absence, that is produced when past is not only information about something gone, but memory that can be carried and shared by each individual by telling it to others.
Lucie is using the same materials again as in the installation at LLLLLL but now placing them in a new object titled I COULD HAVE BEEN WITH YOU, BUT I AM LEAVING. In this object she uses 8000 fibres to create a common room that can be entered by people ascending the place.
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
Jamais vu II
curated by Liudmila Kirsanova
Maximiliane Leni Armann
Sarah Pedde
Darja Shatalova
2 June – 4 July 2021
open by appointment
Soft opening on Wednesday, 2 June 3-8pm
Jamais vu II takes part in Independent Space Index 3-4 July 2021, 12-7pm
Jamais vu, literally means ‘never seen’, is the opposite of de´ja` vu and implies perceiving something familiar, something you should be accustomed to, as obscure, eerie, and uncanny. Originally a psychological term, since the pandemic has started, it’s shifted to social and political fields and might be used to describe an extraordinary collective sensation of glitch, for we do not recognize ourselves and the outside world.
The exhibitions Jamais vu I and Jamais vu II explore the poetics of jamais vu experience. Both parts are meant to be seen in a dialogue, in a looped play of inward-outward. All artworks appear ‘not what they seem’, shimmering, oscillating between familiar and unfamiliar, manifested and concealed, lucid and opaque so to create a sensitive space of fluid visuals and shifting meanings.
Maximiliane Leni Armann studied Fine Arts in the photography department at the University of Applied Arts Vienna and at the Vilnius Academy of Arts. In 2017 she had a solo exhibition at Eissalon in Vienna. Recently she has shown her work at Taurage Region Museum in Lithuania, Kra´sova 27 in Praha, Galerie Kunsthandel und Edition in Hamburg, Galerie Rudolf Leeb and Krinzinger Projekte in Vienna. In 2019 she participated in FOTO Wien Festival.
Sarah Pedde studied Art History at the Free University in Berlin, Photography and Media Art at the University of Applied Sciences in Bielefeld, and Site-Specific-Art at the University of Applied Arts in Vienna. She publishes an artistic zine Apocalypse. In her drawings she reflects upon representation of bodies and desire in contemporary visual culture. She has shown her work within group shows at Krinzinger Projekte in Vienna, Projektraum Bethanien in Berlin, World Hertitage Zollverein in Essen.
Darja Shatalova studied Arts and Mathematics at the University of Cologne and Transmedia Arts at the University of Applied Arts Vienna. Her artistic research is focused on micro and macro structures within set up systems. She has exhibited her works among others at Kunstverein Harburger Bahnhof Hamburg, Künstlerhaus and Krinzinger Projekte Vienna. Her artworks are part of the Artothek des Bundes of the Republic of Austria and the Collection Wien Museum in Vienna.
Photo: Photo: Maximiliane Leni Armann, ab tasten (2020), video still
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS, Stadt Wien Kultur and Bezirk 1030 Landstraße
Jamais vu
curated by Liudmila Kirsanova
Lea Maria Gold
Pille-Riin Jaik
Elisabeth Molin
28 April - 30 May 2021
Soft opening 4 May 15.00 - 20.00.
Pille-Riin Jaik Performance, Liudmila Kirsanova curatorial tour 21 May 18.00 - 20.00.
Jamais vu, literally means ‘never seen’, is the opposite of de´ja` vu and implies perceiving something familiar, something you should be accustomed to, as obscure, eerie, and uncanny. Originally a psychological term, since the pandemic has started, it’s shifted to social and political fields and might be used to describe an extraordinary collective sensation of glitch, for we do not recognize ourselves and the outside world.
The exhibitions Jamais vu I and Jamais vu II explore the poetics of jamais vu experience. Both parts are meant to be experienced in a dialogue, in a looped play of inward-outward. All art works appear ‘not what they seem’, shimmering, oscillating between familiar and unfamiliar, manifested and concealed, lucid and opaque so to create a sensitive space of fluid visuals and shifting meanings.
Lea Maria Gold studied painting at the Academy of Fine Arts, Vienna. Her work critically elaborates on the ideas of femininity and gender in different cultures and iconographies, representation of women’s bodies in art history, female corporeality and sensuality, feminism, and female adolescence. She has shown her work at Galerie Krass, Galerie am Lieglweg, Curch St Ruprecht in Vienna, at Centre for Art and Communication in Innsbruck, at Documentation Center for Modern Art in St Pölten.
Pille-Riin Jaik has a Bachelor of Photography from the Estonian Academy of Fine Arts and Master of Art and Digital Media at the Academy of Fine Arts Vienna. Her work is focused on text, plants, surplus and waste materials/thoughts in feministic and class aware discourse. In 2018 she had a solo exhibition I'm a good girl, I am at LOW offspace in Vienna. Recently she has participated in group exhibitions at Hobusepea Gallery in Tallinn, PFERD, Fluc, and xE in Vienna.
Elisabeth Molin studied Fine Art at Chelsea College of Art and MA Photography at Royal College of Art in London. She has recently shown work at Wiels in Brussels, Sundy in London, Sixty Eight Institute in Copenhagen, Austrian Cultural Forum in London and MAW, ISCP and Columbia University in New York. She has shown her videos at part of the 32nd Images Festival in Toronto, the 31 Stuttgarter Filmwinter in Stuttgart and the 7th Medrar Video Festival in Cairo.
Photo: Pille-Riin Jaik, Cat's Cradle & The Intestines of Hope (2018 – 2021). Detail
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LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 Wien
With kind support by BMKÖS and Bezirk 1030 Landstraße
NESTOR KOVACHEV
Nothing Will Already Be The Same
Ausstellungsdauer: Dienstag, 30.März, 2021 - 23.April 2021
Öffnungszeiten: Dienstag 30.März, 14 - 19 Uhr und auf Anfrage.
---> Artikel über die Ausstellung auf LES NOUVEAUX RICHES
□□□□□■ with the participating artist teams Gabriele Edlbauer & Julia Goodman We open our doors on Tuesday, December 15, from 3p.m. to 7p.m. Please pre-register by email, also for appointments outside the opening hours please contact us under A maximum of 2 people are allowed in the showroom. We are looking forward to your visit! □□□□□■ Vernissage Thursday, October 20 at 18:00 opening times on request:info@LLLLLL.at / 069919207363 Christoph Srb LLLLLL Eröffnung Donnerstag, 10. September 17:00 Öffnungszeiten auf Anfrage:info@LLLLLL.at / 069919207363 Christoph Srb with: Songül Boyraz, Dr. Renée Gadsden, Esra Emine Demir, Maruša Sagadin, Claudia Slanar LLLLLL Eröffnung Mittwoch, 25.Juni 19:00 Öffnungszeiten auf Anfrage:info@LLLLLL.at Mittels Antilösungsansätze stellt Michailov in seiner Arbeit nicht existente Fragen zur Reinigung der Kunst. LLLLLL Eröffnung Mittwoch, 17.Juni 19:00 Öffnungszeiten: distant thunder LLLLLL Eröffnung und Artist Talk mit Šárka Telecká und Reinhold Zisser: Dienstag, 10.März.2020, 18 Uhr Mit den Arbeiten von Anna Straková und Aleš Novák zeigt das □□□□□■ zwei Positionen junger tschechischer Künstler*innen. LLLLLL ENTKUNSTUNG III Saturday, January 25, 16-21:00 LLLLLL is happy to be able to host the Book Release of ENTKUNSTUNG III. You are invited you to have a glass of prosecco and celebrate the release of the third yearbook! Additionally, a first poster edition, which includes 20 works by artists and designers from around the world will be shown. LLLLLL Sovereignty in Chaos Opening event 10th December 6 - 10pm. □□□□□■ DOWN TO THE FARTHEST ROOTS Opening Dates: 28th November - 7th December 2019 □□□□□■ OPEN CALL 2020 The submissions are sent by email. Ideally consisting following:
- Curriculum vitae (maximum 1 A4 page), if you like add also links to websites etc. Under the following link is a floor plan of the exhibition space. Thank you, the□□□□□■ team LLLLLL at Parallelvienna LLLLLLl and FLUCA - Austrian Cultural Pavilion
present
SHAPE OF SCARS contact □□□□□■ Dust in Strange Light: Lena Rosa Händle Dust in Strange Light, Graphics designed by Kristian Henson contact □□□□□■ Tattoo Series "Interface I: In my Camera" Stefan Nussbaumer Interface I: In my Camera contact
□□□□□■ Tattoo Series "Irrlichter" Marina Pohl Marina Pohl lebt und arbeitet seit 2017 in Wien und studiert an der Akademie der bildenden Künste bei Daniel Richter in der Klasse „Erweiterter Malerischer Raum“.
Sie beschäftigt sich in ihrem Werken mit Landschaften, Atmosphären und Emotionen, die sich in den Spannungs - und Zwischenräumen von Licht und Schatten, Stabilität und Ungewissheit bewegen.
Dabei interessieren sie zwischenmenschliche Begegnungen sowie der Umgang des Individuums mit sich selbst und mit seiner Umwelt. Sie begegnet und bearbeitet dabei Momente des Konflikts, der Erotik, des aufeinander zugehens und des sich voneinander entfernens.
In ihrer Ausstellung "Irrlichter" zeigt sie Arbeiten die diese Suche auf einem Weg zwischen Einsamkeit und Gemeinsamkeit, Schönheit und Dunkelheit abbilden. contact: info@LLLLLL.at Tattoo Series "HOME is a four letter word" Thomas Stempka An eternal vagabond, the unfamiliar city has been a constant throughout his life, only feeling home when adrift. The main focus of his work revolves around the phenomenological and performative aspects of architecture: our sordid relationships with the built environment and embracing the unbuilt. Less a creator than a conduit, conversing with his materials and sites allows Thomas to end with tangible tales. Like a foreign grandmother’s valediction, you should be left uncertain of exactly what is being said, but take comfort in the warmth provided. He has shown and performed his work in galleries, streets, festivals and bathrooms in Austria, Brazil, Catalonia, Chile, Germany, Italy, Serbia, Portugal and the US. contact: info@LLLLLL.at
LLLLLL, Verein für Kunst der Gegenwart
Seidlgasse 14, 1030 WienTombola ll
Sebastian Mayer & Andrea Salzmann
Sophie Dvořák & Linda Reif
Juliana Lindenhofer & Lena Gold
Heti Prack & Terese Kasalicky
Katharina Scheucher & Viktoria Schmid
Reinhold Zisser & Peter Fritzenwallner
Kristin Weissenberger & Günter Seyfried
and are then open on
December 16,17,18,19, 20 and 21 from 4 p.m. to 7 p.m. or by appointment.
tombola.exhibition@gmail.com
Please bring a mouth&nose protection.
Seidlgasse 14, 1030 Wien
Helena Eribenne
Killing Time - The Exhibition
speech by Father George Elsbett at 7pm on timelessness and eternity from a Christian perspective.
Artist talk & Finissage
Nov 18 at 18:00
Also to be exhibited shall be bottles of a certified magical elixir, a snake oil called “Time Suspension”. They are available in a limited edition of 50.
There is also an opportunity to participate in this show; members of the public are invited to donate an object that has tied them to either the past or the future in a time capsule. In doing so, a commitment to remain in the present is made. Visitors therefore are also the exhibitors.
https://www.instagram.com/earthzoneproductions/
Seidlgasse 14, 1030 WienBorjana Ventzislavova
Und der Himmel klärt sich auf (MAGIC RESISTANCE)
Artist Talk mit Boris Manner, 10.September, um 18 Uhr
Ausstellungsdauer 11.September bis 9.Oktober 20201
sound: Kai Maier-Rothe
text: Ovid Pop
voice over: Susanne Schuda
Exiled Gaze | Der exilierte Blick
Seidlgasse 14, 1030 WienMichail Michailov
runde quadrate
Ausstellungsdauer 26.Juni - 12.Juli
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In his work, Michailov uses anti-solution approaches to pose non-existent questions about the purification of art.
Foto: Hannes Anderle
Seidlgasse 14, 1030 Wien
SCENIC
Diplomausstellung Kathrin Isabell Rhomberg
Ausstellungsdauer 18.-23.Juni
18. Juni – 23. Juni, 14:00-18:00, und auf Anfrage: kathrin.rhomberg@gmx.at
a single flash of lightning
coloured echos
pierce the creases of the valley
ricochet and fabricate
forms, carved out of the manifoldness
inside, outside, no side – all sides
-Kathrin Isabell Rhomberg
Seidlgasse 14, 1030 WienVídeň, předměstí Brna - Wien, ein Vorort von Brünn
Anna Straková, Aleš Novák
Zahájení a Artist Talk umělců, Šárky Telecké a Reinholda Zissera proběhne v úterý 10. března 2020, v 18:00 hod
Die Ausstellung ist Teil eines entstehenden Dialogs der zwei örtlich / historisch verwandten Regionen Brünn und Wien.
Zur Eröffnung der Ausstellung findet ein Artist Talk zwischen den beiden KünstlerInnen, dem Betreiber des Ausstellungsraumes Reinhold Zisser und der Brünner Kuratorin des House of Arts Šárka Telecká statt.
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□□□□□■ prezentuje práce dvou mladých českých umělců Anny Strakové a Aleše Nováka.
Výstava je součástí nově vznikajícího dialogu mezi místně / historicky souvisejícími regiony Brnem a Vídní.
V rámci vernisáže výstavy proběhne Artist Talk s umělci, provozovatelem výstavního prostoru Reinholdem Zisserem a Šárkou Teleckou, kurátorkou programu Brno Artists in Residence při Domu umění města Brna.
Seidlgasse 14, 1030 Wien
Book Release & Posters Edition Exhibition | Vienna
ENTKUNSTUNG III addresses the notions of Fetishism, Vanity, Time & Fictions, and it features interviews and studio visits with Alicja Kwade, Jason Gringler, Jeff Mills and Jerry Saltz.
The 300+ pages book is composed of 90+ artists and writers, including works by Cai Guo-Qiang, Christian Marclay, Anna Breit, Damselfrau, Elmgreen & Dragset, Gabriele Garavaglia, Katherina Olschbaur, Maxime Ballesteros, Pablo Katchadjian, Patricia Piccinini, Rayyan Dabbous, Young Boy Dancing Group, etc.
It is an excellent opportunity to get the ENTKUNSTUNGr books, posters and records for a special price. ♥
Seidlgasse 14, 1030 Wien
--- exhibition EXTENDED until Jan 3rd 2020
Julia Belova, Katharina Cibulka, Luisa Kasalicky, Gašper Kunšič, Christiane Peschek and Céline Struger
Running: 11th - 18th December. Wednesday - Sunday, 12-6pm
Kunstraum LLLLLL, Seidlgasse 14, 1030 Vienna, Austria
Curated by Camilla Cole
‘This exhibition is not only concerned with how our global governing bodies are free falling from one catastrophe to the next, but it also draws on Neurohacker Jordan Greenhall’s strategy of self determination and drawing the idea of Sovereignty inward. By using our individual agency to contribute to collective multimodal action, we can ride the storm of flux that we increasingly find ourselves caught up in. All of the artists in this exhibition: Julia Belova, Katharina Cibulka, Luisa Kasalicky, Gašper Kunšič, Christiane Peschek and Céline Struger offer alternatives to our predetermined frameworks.
Diese Ausstellung befasst sich nicht nur damit, wie sich unsere globalen Regierungskörper von einer Katastrophe in die nächste stürzen, sondern greift auch die Selbstbestimmungsstrategie von Neurohacker Jordan Greenhall auf sowie seine Idee von innerer Souveränität. Indem wir von unserer individuellen Handlungsfähigkeit Gebrauch machen, um zu kollektivem multimodalem Handeln beizutragen, können wir durch die sich wandelnden Dynamiken navigieren, in die wir zunehmend verstrickt sind. Die Künstler*innen der Ausstellung: Julia Belova, Katharina Cibulka, Luisa Kasalicky, Gašper Kunšič, Christiane Peschek und Céline Struger bieten Alternativen zu den uns vorgegebenen Strukturen.
Full text here: https://www.coleprojects.co.uk/exhibitions/11-sovereignty-in-chaos/overview/
Enquiries:
camilla@coleprojects.co.uk
+44 (0)7855001697
Design by @greatjobwelldone
This is exhibition is part of the tattoo series- the name of the space □□□□□■ (also written LLLLLL) was created from the light boxes which are attached to the exterior facade of the gallery. In 2018 Reinhold Zisser started an artistic project that used his artist run space as material for a conceptual artwork. Each artist, each curator, who got the name of the space □□□□□■ tattooed on them, received a solo exhibition in 2019.
contact
Seidlgasse 14, 1030 Wien
info@LLLLLL.at
www.LLLLLL.at:
First Solo Show featuring Jakob Radda
Private View: 27th November 2019, 6-9pm
Wednesday - Sunday, 12-6pm
Curated by Sayori Radda
‘Down to the Farthest Roots' marks the first solo show of Vienna based artist Jakob Radda and will showcase a series of botanical works on paper specifically commissioned for this exhibition. Join us for the private view!
Spirit, rehearse the journeys of the body
that are to come, the motions
of the matter that held you.
Rise up in the smoke of palo santo.
Fall to the earth in the falling rain.
Sink in, sink down to the farthest roots.
Mount slowly in the rising sap
to the branches, the crown, the leaf-tips.
Come down to earth as leaves in autumn
to lie in the patient rot of winter.
Rise again in spring's green fountains.
Drift in sunlight with the sacred pollen
to fall in blessing.
All earth's dust
has been life, held soul, is holy.
-Le Guin, Ursula K. "Come to Dust." Spells: 21st-Century Occult Poetry, Ignota Books, 2018
Jakob Radda is an artist based in Vienna, Austria who completed both a Foundation in Fine Art and BA in Architecture at Central Saint Martins, London, UK in 2011. Executed in the medium of drawing, painting and installation, his work investigates existential themes on the intersection of life, death and decay between human and non-human species.
*Exhibition title borrowed from the poem "Come to Dust" written by Ursula K. Le Guin in 2018
We invite artists / curators / networks to promote themselves with ideas and concepts for an exhibition 2020 in □□□□□■ in Seidlgasse 14.
- Project concept (maximum 1 A4 page)
- Project presentation (sketches / pictures etc.)
- Realization conception (period of the exhibition / technical effort (beamer etc.) project costs)
---> FLOORPLAN <---
In addition to the exhibition space, the concept of□□□□□■ includes the involvement of the studio of Peter Fritzenwallner and myself (Reinhold Zisser) in which the bar is located at openings.
Submissions please by email until Thursday 10.10.2019
The Email adress ---> info@LLLLLL.at
LINK LLLLLL PARALLELVIENNA
Vasilena Gankovska, Olivier Hölzl, Emil Kirov, Iv Toshain
Curated by Boris Kostadinov
Opening Wednesday, September 25th, 7pm
The exhibition presents artists who participated in the activities of FLUCA - Austrian Cultural Pavilion – part of the program of Plovdiv 2019 - European Capital of Culture.
The project corresponds with the development of the Tatttoo Series by Reinhold Zisser within viennacontemporary and with the participation of Notgalerie in Parallel – featuring Iv Toschain.
SHAPE OF SCARS brings together works that conceptualize visible and invisible scars left on the surface of history, the social process, the invisible personal world or the highly visible urban environment.
Vasilena Gankovska treats the symbolism of architecture as an object that could be printed - like a tattoo on ? human skin.
Another type of “skin” (leather) is represented by Iv Toschain in her work which monumentalizes the fate of the artist in the context of our political and social reality.
Emil Kirov creates objects as a metaphor of the deep scars on our private world.
The process of treating of the depression is presented as a beautiful object, which however has an ugly meaning for a sufferer with a mental disorder.
Olivier Hölzl interprets the history of the scars at Napoleon Bonaparte's Chateau de Fontainebleau. Also in this work - a beautiful ornamentation is just the surface. Behind it are the hidden twists of the history.
about the exhibition format "Tattoo Series"
In 2015, Christoph Srb and me (Reinhold Zisser) founded an artist run space in Seidlgasse 14, 1030 Vienna. The name of the space □□□□□■ (also written LLLLLL) was created from the light boxes which are attached to the exterior facade.
In 2018 i started an artistic project in which i used our artist run space as material for a conceptual artwork, by showing off the room at Parallelvienna, tranfering these light boxes as a central element of a room installation to the fair. The following offer was made there: Each artist, each curator, who has the symbol, the name of the space □□□□□■ tattooed, will receive a solo exhibition in 2019. Altogether, 23 people were tattooed during the six days of the fair.
The second phase of the action, the realization of the exhibitions began in the Space at Seidlgasse in Wien 1030 this March.
The resulting shows investigate the network of positions and their mutual inscriptions that emerged at the fair, presenting them itself and thus making these abstract relationships visible. Opposite to the body of this group exhibition created by the presence of artists who got themself tattooed to be part of, is the body of the □□□□□■ exhibition space where the whole action takes part.
While at the beginning of the project the artist run space □□□□□■ was the vehicle for the observations of the dependencies and abysses of the art institution / market / artist into an exhibition context, the now running exhibition series show that the □□□□□■ space acted as an artistic instrument. The reflection and presentation of the relationships between artists and institution has been a central element of my work for many years and therefore also became a central element of the □□□□□■ space. Therein I understand curatorial action and the system of art institution as a material to generate artistic work. You can slip like a hermit crab into more and more new forms and Ieave then leave again. This parasitic strategy is also evident in this exhibition series. But it also becomes clear that this parasitic relationship is a mutual one in which the resulting inscriptions are permanent and interact.
Seidlgasse 14, 1030 Wien
info@LLLLLL.at
www.LLLLLL.at:
Curated by John Kenneth Paranada
Opening Thursday, September 5th, 7pm
exhibition running until September 15(see contact below)
What is an important image in the age of digital consciousness? How do we filter them out? And ultimately, how do we derive meaning from the stages, frames and displays through which the contemporary image appears?
This exhibition is about things seen and unseen and the presence of absence. Lena Rosa Händle shines a light on the historically erased and forgotten images of abjected queerness. Digging through her photographic archives, Händle unearths past images that she has never shown before, juxtaposing them with her ongoing series “I (We) Feel Seen” 2018, “Places of Passing” 2013 and “Laughing Inverts” 2016 - and through this process weaving a cacophony of the diverse complexity of queerness and the politics of colour. Surveying the past years of Händle’s work, this conscious retrospective traces several significant strands of the artists' practice. Händle inventively explores the ways in which colonialism and patriarchy continue to shape how Western societies refuse to hear, see and feel the plight of queer-feminist, trans and gender non-binary persons in her works. Over the last ten years, Händle has developed a dynamic and thought-provoking inquiry into the notion of capturing queer solidarities. At its heart, lies a passionate critique of modern Western systems of control and organisation and the growing power of right-wing populism around the globe. Händle’s photographic eye is unmistakable: the archive of her highly disarming, beautifully shot images are a haystack of revelations – each shot a little different but disciplined in their similarity. The photographs summons intense and consistent moods that evoke as if the images appear to be hypnotised by spirit; it is energetic and intriguing to the point where it’s like seeing the forest in its entirety and also seeing the trees all at once.
This exhibition addresses some of the crucial concerns of our time; normalised micro-aggressions, intersectionality, trans-rights, queer activism and love. It looks to engage the audience through our shared capacities for thinking and feeling. Through her sensitive approach, Händle invites us to approach her subject matter with a thoughtful examination and critical insight.
This complex and layered selection of her archive is testament to the ingenuity of her photographic eye and honest treatment of her subject, bringing to the fore how filtering important images is only possible through a dialogue of representation, subtlety, and abstraction; emancipating the frozen image of patriarchal social construction and revealing the ability of art to capture the monsters that dwell in the contemporary. Every important image must be made real – not merely exposed and shed light, to close the border, but as a reality of crossing, of recognising and witnessing the Dust In Strange Light.
Artist Bio:
The work of Lena Rosa Händle, which is constituted across photographs, installations, collages and objects, portrays a vast openness in light of an intense focus on people in their social and personal realities as well as their visibilities and cultural codes. Often comprising of multi-part installations, they create a complex tableaux and visual imagination closely connected to the social reality of their subjects; they postulate society’s blueprints dealing critically with contemporary and historical societies and practices, towards a search for utopian potentials.
Lena Rosa Händle was born in Berlin and studied artistic photography at the Academy of Visual Arts in Leipzig (Diploma, 2011; Master/Meisterschülerin, 2013) and at the Facultat de Belles Arts, Barcelona. She was University Assistant at the Academy of Fine Arts Vienna (2013-2017).
She is distinguished with several scholarships (among others of the Federal Chancellery of the Republic of Austria, Rosa-Luxemburg Foundation, Cultural Foundation of the free State of Saxony), Residencies (New York City, 2017; London 2020 both from the Federal Chancellery of the Republic of Austria) and Fundings (among others Federal Chancellery of the Republic of Austria, Society of Friends of the Academy of Fine Arts Vienna) and her work is part of the Public Art Collection, Dresden, the Public Art Collection of the City of Vienna (MA7), the Collection of the Gay Museum in Berlin and the KUNST HAUS in Vienna.
about the exhibition format "Tattoo Series"
In 2015, Christoph Srb and me (Reinhold Zisser) founded an artist run space in Seidlgasse 14, 1030 Vienna. The name of the space □□□□□■ (also written LLLLLL) was created from the light boxes which are attached to the exterior facade.
In 2018 i started an artistic project in which i used our artist run space as material for a conceptual artwork, by showing off the room at Parallelvienna, tranfering these light boxes as a central element of a room installation to the fair. The following offer was made there: Each artist, each curator, who has the symbol, the name of the space □□□□□■ tattooed, will receive a solo exhibition in 2019. Altogether, 23 people were tattooed during the six days of the fair.
The second phase of the action, the realization of the exhibitions began in the Space at Seidlgasse in Wien 1030 this March.
The resulting shows investigate the network of positions and their mutual inscriptions that emerged at the fair, presenting them itself and thus making these abstract relationships visible. Opposite to the body of this group exhibition created by the presence of artists who got themself tattooed to be part of, is the body of the □□□□□■ exhibition space where the whole action takes part.
While at the beginning of the project the artist run space □□□□□■ was the vehicle for the observations of the dependencies and abysses of the art institution / market / artist into an exhibition context, the now running exhibition series show that the □□□□□■ space acted as an artistic instrument. The reflection and presentation of the relationships between artists and institution has been a central element of my work for many years and therefore also became a central element of the □□□□□■ space. Therein I understand curatorial action and the system of art institution as a material to generate artistic work. You can slip like a hermit crab into more and more new forms and Ieave then leave again. This parasitic strategy is also evident in this exhibition series. But it also becomes clear that this parasitic relationship is a mutual one in which the resulting inscriptions are permanent and interact.
Seidlgasse 14, 1030 Wien
info@LLLLLL.at
www.LLLLLL.at:
Opening Friday, June 28th, 7pm
exhibition running until August 26th (see contact below)
Innere und äußere Räume.
Malerei als imaginierter Klang.
Das Tönen des Äußeren im Inneren.
Stefan Nussbaumer
http://pustota.basislager.org
open on request:
info@LLLLLL.at / stefan@basislager.org
about the exhibition format "Tattoo Series"
In 2015, Christoph Srb and me (Reinhold Zisser) founded an artist run space in Seidlgasse 14, 1030 Vienna. The name of the space □□□□□■ (also written LLLLLL) was created from the light boxes which are attached to the exterior facade.
In 2018 i started an artistic project in which i used our artist run space as material for a conceptual artwork, by showing off the room at Parallelvienna, tranfering these light boxes as a central element of a room installation to the fair. The following offer was made there: Each artist, each curator, who has the symbol, the name of the space □□□□□■ tattooed, will receive a solo exhibition in 2019. Altogether, 23 people were tattooed during the six days of the fair.
The second phase of the action, the realization of the exhibitions began in the Space at Seidlgasse in Wien 1030 this March. Now we kindly invite you to the opening of our 5th exhibition of the Tattoo Series “Interface I: In my Camera” by Stefan Nussbaumer.
The resulting shows investigate the network of positions and their mutual inscriptions that emerged at the fair, presenting them itself and thus making these abstract relationships visible. Opposite to the body of this group exhibition created by the presence of artists who got themself tattooed to be part of, is the body of the □□□□□■ exhibition space where the whole action takes part.
While at the beginning of the project the artist run space □□□□□■ was the vehicle for the observations of the dependencies and abysses of the art institution / market / artist into an exhibition context, the now running exhibition series show that the □□□□□■ space acted as an artistic instrument. The reflection and presentation of the relationships between artists and institution has been a central element of my work for many years and therefore also became a central element of the □□□□□■ space. Therein I understand curatorial action and the system of art institution as a material to generate artistic work. You can slip like a hermit crab into more and more new forms and Ieave then leave again. This parasitic strategy is also evident in this exhibition series. But it also becomes clear that this parasitic relationship is a mutual one in which the resulting inscriptions are permanent and interact.
Seidlgasse 14, 1030 Wien
info@LLLLLL.at
www.LLLLLL.at:
opening Wednesday May 29th, 6pm
exhibition running until June 9th(open on request, see contacts below)
about the exhibition format "Tattoo Series"
In 2015, Christoph Srb and me (Reinhold Zisser) founded an artist run space in Seidlgasse 14, 1030 Vienna. The name of the space □□□□□■ (also written LLLLLL) was created from the light boxes which are attached to the exterior facade.
In 2018 i started an artistic project in which i used our artist run space as material for a conceptual artwork, by showing off the room at Parallelvienna, tranfering these light boxes as a central element of a room installation to the fair. The following offer was made there: Each artist, each curator, who has the symbol, the name of the space □□□□□■ tattooed, will receive a solo exhibition in 2019. Altogether, 23 people were tattooed during the six days of the fair.
The second phase of the action, the realization of the exhibitions began in the Space at Seidlgasse in Wien 1030 this March. Now we kindly invite you to the opening of our 4th exhibition of the Tattoo Series “Irrlichter” by Marina Pohl.
The resulting shows investigate the network of positions and their mutual inscriptions that emerged at the fair, presenting them itself and thus making these abstract relationships visible. Opposite to the body of this group exhibition created by the presence of artists who got themself tattooed to be part of, is the body of the □□□□□■ exhibition space where the whole action takes part.
While at the beginning of the project the artist run space □□□□□■ was the vehicle for the observations of the dependencies and abysses of the art institution / market / artist into an exhibition context, the now running exhibition series show that the □□□□□■ space acted as an artistic instrument. The reflection and presentation of the relationships between artists and institution has been a central element of my work for many years and therefore also became a central element of the □□□□□■ space. Therein I understand curatorial action and the system of art institution as a material to generate artistic work. You can slip like a hermit crab into more and more new forms and Ieave then leave again. This parasitic strategy is also evident in this exhibition series. But it also becomes clear that this parasitic relationship is a mutual one in which the resulting inscriptions are permanent and interact.
□□□□□■
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
opening Friday May 3rd, 7pm
exhibition running until May 17(open on request, see contacts below)
HOME IS WHERE THE HEART IS.
HOME IS NOT A PLACE, IT'S A FEELING.
HOME IS AN EMOTIONAL CONCEPT.
HOME IS A SOCIETAL CONSTRUCT.
HOME IS WHERE NIGHTMARES LIVE.
HOME WATCHES YOU CRY AND SAYS NOTHING.
HOME WANTS TO KNOW WHERE YOU LIVE NOW.
HOME SWEARS ITS NOT JEALOUS.
HOME IS A FOUR LETTER WORD.
about the exhibition format "Tattoo Series"
In 2015, Christoph Srb and me (Reinhold Zisser) founded an artist run space in Seidlgasse 14, 1030 Vienna. The name of the space □□□□□■ (also written LLLLLL) was created from the light boxes which are attached to the exterior facade.
In 2018 i started an artistic project in which i used our artist run space as material for a conceptual artwork, by showing off the room at Parallelvienna, tranfering these light boxes as a central element of a room installation to the fair. The following offer was made there: Each artist, each curator, who has the symbol, the name of the space □□□□□■ tattooed, will receive a solo exhibition in 2019. Altogether, 23 people were tattooed during the six days of the fair.
The second phase of the action, the realization of the exhibitions began in the Space at Seidlgasse in Wien 1030 this March. Now we kindly invite you to the opening of our 3rd exhibition of the Tattoo Series “HOME is a four letter word” by Thomas Stempka.
The resulting shows investigate the network of positions and their mutual inscriptions that emerged at the fair, presenting them itself and thus making these abstract relationships visible. Opposite to the body of this group exhibition created by the presence of artists who got themself tattooed to be part of, is the body of the □□□□□■ exhibition space where the whole action takes part.
While at the beginning of the project the artist run space □□□□□■ was the vehicle for the observations of the dependencies and abysses of the art institution / market / artist into an exhibition context, the now running exhibition series show that the □□□□□■ space acted as an artistic instrument. The reflection and presentation of the relationships between artists and institution has been a central element of my work for many years and therefore also became a central element of the □□□□□■ space. Therein I understand curatorial action and the system of art institution as a material to generate artistic work. You can slip like a hermit crab into more and more new forms and Ieave then leave again. This parasitic strategy is also evident in this exhibition series. But it also becomes clear that this parasitic relationship is a mutual one in which the resulting inscriptions are permanent and interact.
□□□□□■
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
Instagram: @tstempka
email: thomas.stempka [at] ufg.at
Tattoo Series
"Your Pictures Make Me Wet"
Chris Stillo, Daniel Castells
opening Thursday April 12, 7pm
exhibition running until April 27.
In 2015, Christoph Srb and me (Reinhold Zisser) founded an artist run space in Seidlgasse 14, 1030 Vienna. The name of the space □□□□□■ (also written LLLLLL) was created from the light boxes which are attached to the exterior facade.
In 2018 i started an artistic project in which i used my artist run space as material for a conceptual artwork, by showing off the room at Parallelvienna, tranfering these light boxes as a central element of a room installation to the fair. The following offer was made there: Each artist, each curator, who has the symbol, the name of the space □□□□□■ tattooed, will receive a solo exhibition in 2019. Altogether, 23 people were tattooed during the six days of the fair.
The second phase of the action, the realization of the exhibitions now already began in the Space at Seidlgasse in Wien 1030 with the first show of Alban Muja this March. Now we kindly invite you to the opening of our 2nd exhibition of the Tattoo Series “Your Pictures Make Me Wet” by Chris Stillo and Daniel Castells
The resulting shows investigate the network of positions and their mutual inscriptions that emerged at the fair, presenting them itself and thus making these abstract relationships visible. Opposite to the body of this group exhibition created by the presence of artists who got themself tattooed to be part of, is the body of the □□□□□■ exhibition space where the whole action takes part.
While at the beginning of the project the artist run space □□□□□■ was the vehicle for the observations of the dependencies and abysses of the art institution / market / artist into an exhibition context, the now running exhibition series show that the □□□□□■ space acted as an artistic instrument. The reflection and presentation of the relationships between artists and institution has been a central element of my work for many years and therefore also became a central element of the □□□□□■ space. Therein I understand curatorial action and the system of art institution as a material to generate artistic work. You can slip like a hermit crab into more and more new forms and Ieave then leave again. This parasitic strategy is also evident in this exhibition series. But it also becomes clear that this parasitic relationship is a mutual one in which the resulting inscriptions are permanent and interact.
Chris Stillo and Daniel Castells about their upcoming show:
Your Pictures Make Me Wet
We make it a necessity to keep track of our lives. We keep digital memories to prove that we’ve lived. To prove we were here. To prove that our lives mattered.
We are living through a mirror that shows us whatever we choose to remember. It weakens our conscious reality by portraying a hazy version of our feelings floating around in a parallel universe.
But we are not water. We are not made of unforgettable molecules.
We forget. Remember that.
The Artist’s Thoughts:
There’s something about us I never really got to understand. You cover me whole.
You are flat.
My fingers on your skin. Too close to me.
I saw you passing down the street the other day. I saw you having a coffee with that certain smile on your face.
I kept walking.
You probably can’t remember. I can’t touch you. You are another interference in my past.
I have you in my hand.
Maybe I took the wrong picture at the wrong time.
start of the tattoo series 2019
Alban Muja
Just Another Hero
opening Saturday 23rd of March, 7pm
exhibition running until April 15.
Last Year the □□□□□■ space took part at the PARALLELVIENNA 2018 with a Meta-Installation. The Lightboxes that give the □□□□□■ its Name were transfered to the Booth at the Artfair. There the □□□□□■ spread the following offer: Every artist or curator who will get the Logo □□□□□■ tattood will get a solo exhibition in the following year. 23 people signed this contract and got the Logo tattooed. Now the exhibition Series starts with the opening of Alban Muja. For detailed documenation of the Tattoo work itself visit: website Reinhold Zisser
Alban Muja (born 1980) is a Kosovo-based artist. He graduated from the Academy of Fine
Arts in Prishtina with a BA and MA. His artistic work / activities arise in diverse media.
They range from installations and documentaries to drawings and painting. Alban Muja
took part in numerous exhibitions, among others in the MeetFactory in Prague, the Kumu
Art Museum in Tallinn, the Guangdong Museum of Art, the James Gallery in New York
the Zhejiang Art Museum, the Gagaosian Gallery in Berverly Hills etc. Numerous
international residencies and scholarships led him to New York, Santa Fe, Istanbul and last
but not least to Vienna. In June this year Alban Muja will represent the Kosovo Pavilion at
58th edition of Venice Biennale. One focus of his artistic activity is on the social, political
and economic transformation processes in the southern Balkans and their effects on the
subsequent extended geopolitical space. He subsequently links these investigations with
his various media and discursive strategies to his current position in Kosovo. A central
theme for the artist is the question of identity. In a series of short films he portrayed diverse
personalities who had to leave Kosovo or Albania and found themselves in a new, "foreign" environment in which their own self-image was called into question. On the basis of the
names of the protagonists, the viewer is shown how from a "simple" first name, e.g. a
fascinating spectrum of meanings emerges that unfolds only through the translocation of a
name from one language and sound space into another. The video "Forca" shown in the
LLLLL exhibition is an excellent example of this aspect of Alban Muja's work. Another
focus of the artist's work is critical questioning and deconstruction of national myths. In the
exhibition, a marble is presented on three different sized pedestals. When these sockets
are viewed in sequence, the marble seems to disappear in the socket. In this work, an
association space is opened in which childlike games but also heroic monuments are
imagined. Here, too, shows the specific artistic strategy of Alban Muja. Starting out from a
seemingly simple nucleus of meaning, he develops a network of references and
associations that is the occasion for reflections and, as a result, can lead to the most
fascinating conclusions among the observers.
Copyrigth, Boris Manner, 2019
□□□□□■
new works #1-11
Kollektivausstellung
Eröffnung Dienstag 22.Jänner 2019 18 Uhr
Dauer der Ausstellung bis 10.Februar.
Die Kollektivausstellung new works #1-11 ist der Abschluß der gleichnamigen Reihe welche 2017 und 2018 in unserem Ausstellungsraum stattfand.
KünstlerInnen der Ausstellung (in chronologischer Folge der Ausstellungsreihe):
#1 Kristin Weissenberger #2 Martin Chramosta #3 Thea Moeller
#4 Bartosz Dolhun #5 Sonja Bendel #6 Rafiqul Shuvo
#7 Andrea Lüth #8 Teresa Novotny #9 Sebastian Scholz
#10 Gianin Conrad #11 Aldo Giannotti / Michikazu Matsune
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA and Bezirk Landstraße
new works #11
Aldo Giannotti / Michikazu Matsune
opening: friday, december 21, 6pm
running until jan 10, 2019
This exhibition marks the beginning of a collaboration project by Aldo Giannotti and Michikazu Matsune. You and Me is a performative work that explores the dynamic relationship between body and language, image and action, oneness and togetherness.
It takes part in the "new works" series of our space and will be the eleventh and last time that this exhibition format takes place.
A format that focuses on the artist and his current work progess. It is based on an open studio situation but uses the display of the white cube.
This exhibition series shall give artists the opportunity to research their new works and also give visitors a chance to participate an ongoing artistic process.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA and Bezirk Landstraße
new works #10
Gianin Conrad
Eröffnung Samstag 15.Dezember 18 Uhr
Dauer der Ausstellung 16-18.12.2018
Mit der Ausstellung von Gianin Conrad findet das Ausstellungsformat "new works" zum zehnten mal statt.
Bei diesem Format präsentiert jeweils eine KünsterIn neue Arbeiten im Austellungsraum. Das Format orientiert sich am open studio, bedient sich aber des Displays des Ausstellungsraumes.
Dieses Ausstellungsformat soll KünstlerInnen die Möglichkeit geben Ihre aktuellen Arbeiten genauer zu untersuchen und gleichzeitig den Besuchern erlauben, Einblick in laufende künstlerische Prozesse und Überlegungen zu nehmen.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA and Bezirk Landstraße
new works #9
Sebastian Scholz
Eröffnung Freitag 7.November 18Uhr
Dauer der Ausstellung 8.-13.November 2018
Mit der Ausstellung von Sebastian Scholz findet das Ausstellungsformat "new works" zum neunten mal statt.
Bei diesem Format präsentiert jeweils eine KünsterIn neue Arbeiten im Austellungsraum. Das Format orientiert sich am open studio, bedient sich aber des Displays des Ausstellungsraumes.
Dieses Ausstellungsformat soll KünstlerInnen die Möglichkeit geben Ihre aktuellen Arbeiten genauer zu untersuchen und gleichzeitig den Besuchern erlauben, Einblick in laufende künstlerische Prozesse und Überlegungen zu nehmen.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA and Bezirk Landstraße
HORS-SÉRIE
CURATOR | Eduarda Neves
ARTISTS | Amarante Abramovici | Covadonga Barreiro | Sérgio Leitão Tânia Dinis |Tiago Afonso
opening friday november 9 th
6pm
exhibition running until november 24 th
□□□□□■ will be hosting HORS-SÉRIE, an exhibition project curated by Eduarda Neves, presented in several art spaces, in which the artists work on a site-specificity basis, taking the exhibition context in consideration. It simultaneously approaches the polysemic character of the notion HORS-SÉRIE, opening it to its several meanings that have to do with identity, simulacra, potency, subversion, resistance, workforce, along with other concepts. HORS-SÉRIE seeks to establish a dialogue between the fields of art, philosophy and politics.
.
HORS-SÉRIE is a curatorial project that seeks to explore the polysemic character of this notion, namely in three axes:
[A] Departing from Deleuzian references, through an understanding of the Identity of the Different as primary potency. To think of identity not as similitude but as disparity means to reverse Platonism, to affirm the simulacra, and to assign them their place between icons and copies; place of subversion that denies original and copy, model and reproduction. It is no longer about the essence-appearance, copy-model, I-other relations, for this distinction works in the realm of representation. Neither the model of the Other nor the search for the origin. It is "of the false as potency, Pseudos, in Nietzsche’s sense: the highest potency of the false. Rising to the surface, the simulacrum casts under the power of the false (ghost) the Same and the Similar, the model and the copy" [1]. This wandering has no beginning or end, it is chaos without center, potency of the simulacrum, destruction of the Same that prevents the perpetuation of the model. In this sort of Hors-série the march of divergence, of resistance, of the exceptional, of that which is subtracted from the regularity of the series but which belongs to it, is established. A Hors-Série which is pure difference, the difference in itself, which is opposed to classical representation.
The latter submits difference to the principles of identity and similarity. Now, this pure difference is the object of thought and not of representation. The Being is regularity and becoming. The multiple in each of us. The singular as collective. Difference is repetition and the discovery of all forces. A Meeting.
[B] Issues to be addressed : (I) the resistence regarding infamous men’s life; (II) the escape from language’s representational paradigm. To seek for “a language without speech”, “an involuntary poetry”, as Michel Foucault righly remarked. To discover a madness that is not mental illness and, as this author has equated, one without which we would not know how to live. Thus, for us, it is also about issues of freedom, of questioning before all forms of built experience. Hors-Série as an experience of depersonalization. To overcome thought, penser l´impensé.
[C] Hors-Série as a moment of stopping in the serial work, of unproductiveness of the workforce understood as a form of resistance. The machines, as bodies in series, spatially organize the production apparatus and, being configured as workstations, make the individualizing decomposition of the workforce visible. The factory is, by excellence, the domain of serial production work and flexibility. Its deactivation asserts itself, still, politically, as an image of unemployment.
.WEBSITE | https://hors-serie.weebly.com/
www.LLLLLL.at
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA and Bezirk Landstraße
□□□□□■ at PARALLELVIENNA
Christoph Srb
Reinhold Zisser
Eröffnung:
Dienstag 25.9. 17-22
Eröffnungsparty 22-6 Uhr
Öffnungszeiten:
Mittwoch 26.9. 12-19
Donnerstag 27.9 12-19
Freitag 28.9. 12-19
Samstag 28.9 12-19
Sonntag 30.9. 12-19
n der Installation □□□□□■ von Reinhold Zisser bietet der gleichnamige artist run space einen Austausch an. Für die Installation werden Elemente des Ausstellungsraumes aus der Seidlgasse zur PARALLELVIENNA translokiert.
Die Installation Wanderbar von Christoph Srb tritt ebenso in den Prozess ein der beginnt sobald sich ein Gast bereit erklärt durch Vertragsabschluss die Installation zu starten und Teil der damit verbundenen Einschreibungen zu werden.
www.LLLLLL.at
www.parallelvienna.com
Lassallestrasse 1
1020 Vienna
supported by BKA and Bezirk Landstraße
Intervall
Imre Nagy
…
Eröffnung Freitag 21.September.2018, 19 Uhr
Dauer der Ausstellung 22.September. bis 23.Oktober.2018
Gleichzeitig zu Nagy's Schau wiederfährt dem LLLLLL ein Verlust eines seiner Identitätsgebenden Raumsymbole.
Imre Nagy wurde von uns vor einem Dreiviertel Jahr zu dieser Ausstellung eingeladen. Der Ausstellungsraum LLLLLL sieht, seit Beginn seiner Ausstellungstätigkeit im Herbst 2015, Untersuchungen der Konzepte von Bild / Raum und deren Beziehungen zum Betrachter, als zentrale Themen. Wir haben Imre Nagy gebeten in seiner Ausstellung diese Konzepte und die Setzungen welche sich durch eine drei Jahre lange Tätigkeit abzeichnen, selbst zum Inhalt seiner Untersuchungen zu machen.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA and Bezirk Landstraße
new works #8
Teresa Novotny
"The Promise of Reality"
Installation
Sinking into you my skin marbles
back and forth
my desire goes both ways
…
Eröffnung Dienstag 12.6.2018, 19:00
Dauer der Ausstellung 13.6. bis 18.6.2018
Mit der Ausstellung von Teresa Novotny findet das Ausstellungsformat "new works" zum achten mal statt
Bei diesem Format präsentiert jeweils eine KünsterIn neue Arbeiten im Austellungsraum. Das Format orientiert sich am open studio, bedient sich aber des Displays des Ausstellungsraumes.
Dieses Ausstellungsformat soll KünstlerInnen die Möglichkeit geben Ihre aktuellen Arbeiten genauer zu untersuchen und gleichzeitig den Besuchern erlauben, Einblick in laufende künstlerische Prozesse und Überlegungen zu nehmen.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA
cutting together apart
new works #7
Andrea Lüth
opening: thursday, may 24, 2018, 7pm
running until june 7
The show of Andrea Lüth will be the seventh time that the exhibition format "new works" takes place.
The format puts the focus on the artist and new works. It's orientated on open studio situations but uses the display of the white cube.
These exhibition shall give artists the opportunity to research theire new works and also give visitors a chance to participate an ongoing works process.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA
cutting together apart
Katrin Euller & Anja Nowak
Eröffnung: Donnerstag, 19.April.2018, 19 Uhr
Dauer der Ausstellung: 20.April - 17.Mai
cutting together apart ist sowohl Ergebnis als auch Teil eines gemeinsamen Projekts, das auf unserem Interesse an Sprache, Formfindung und dem Hinterfragen medialer Repräsentationen basiert. Beiden Herangehensweisen liegt eine vorsichtige Suche zu Grunde, die sich durch ihre trans-/multimediale Aufarbeitung, auszeichnet. Innerhalb dieser werden immer wieder Fragen nach einer Lesbarkeit (von Text, Bildern und Objekten), Deutungsmustern und Verschiebungen (neu)verhandelt und in Beziehung zueinander gesetzt.
Die Arbeiten bilden den Anfang einer gemeinsamen Suche und Allianz zweier Komplizinnen.
///
cutting together apart
is a result as well as an ongoing process of a shared project, which is based on our interest in language, form(-finding), and the questioning of media-related representations. Both approaches include a cautious search and trans-/multimedia processing. Within this process, questions of readability (of text, images and objects), patterns and displacements are constantly renegotiated and put in relation to each other.
The shown works are a beginning of a joint search and an alliance of two accomplices.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
geöffnet auf Anfrage: 0650 6554505
Mit Unterstützung durch das BKA
new works #6
Rafiqul Shuvo
opening: monday, april 9, 2018, 7pm
running until april 15
The show of Rafiqul Shuvo will be the sixth time that the exhibition format "new works" takes place.
The format puts the focus on the artist and new works. It's orientated on open studio situations but uses the display of the white cube.
These exhibition shall give artists the opportunity to research theire new works and also give visitors a chance to participate an ongoing works process.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
supported by BKA
new works #5
Sonja Bendel
Eröffnung Donnerstag 22.3.2018, 19:00
Dauer der Ausstellung 23.3. bis 5.4.2018
Mit der Ausstellung von Sonja Bendel findet das Ausstellungsformat "new works" zum fünften mal statt
Bei diesem Format präsentiert jeweils eine KünsterIn neue Arbeiten im Austellungsraum. Das Format orientiert sich am open studio, bedient sich aber des Displays des Ausstellungsraumes.
Dieses Ausstellungsformat soll KünstlerInnen die Möglichkeit geben Ihre aktuellen Arbeiten genauer zu untersuchen und gleichzeitig den Besuchern erlauben, Einblick in laufende künstlerische Prozesse und Überlegungen zu nehmen.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
mit Unterstützung durch das BKA
new works #4
Bartosz Dolhun
Eröffnung Donnerstag 8.3.2018, 19:00
Dauer der Ausstellung 9.3. bis 18.3.2018
Mit der Ausstellung von Bartosz findet das Ausstellungsformat "new works" zum vierten mal statt
Bei diesem Format präsentiert jeweils eine KünsterIn neue Arbeiten im Austellungsraum. Das Format orientiert sich am open studio, bedient sich aber des Displays des Ausstellungsraumes.
Dieses Ausstellungsformat soll KünstlerInnen die Möglichkeit geben Ihre aktuellen Arbeiten genauer zu untersuchen und gleichzeitig den Besuchern erlauben, Einblick in laufende künstlerische Prozesse und Überlegungen zu nehmen.
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
mit Unterstützung durch das BKA
angular degrees might deviate
Sebastian Doplbaur
Eröffnung Donnerstag 25.1., 19:00 Uhr
Ausstellungsdauer 26.1. - 16.2.2018
Öffnungszeiten:
26. Jänner – 2. Februar, Di – Fr 14 – 18 Uhr
andere Tage / Uhrzeiten auf Anfrage:
0699 10491802
LLLLLL
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
mit Unterstützung durch das BKA
notgalerie@LLLLLL
Reliquien und Anwesende
Andreas Perkmann Berger / Christoph Schwarz /
Christoph Srb / Kristin Weissenberger / Reinhold Zisser
Eröffnung: Donnerstag 14.12.2017, 19 Uhr
Dauer der Ausstellung bis Freitag 12.Jänner.2018
Artist Talk / Finissage
Artist Talk: Freitag 12.1.2018, 17 Uhr
Finissage: ab 19:00
Zum Ende der Ausstellung sind alle eingeladen beim Artist Talk mehr über die notgalerie zu erfahren.
Die Schwerpunkte werden einerseits auf der Geschichte der letzten drei Jahre, aber auch auf der Vorstellung und Diskussion der kommenden Aktionen und Möglichkeiten, liegen.
Der Artist Talk beginnt pünktlich um 17:00 im LLLLLL in der Seidlgasse 14, wo anschließend mit Buffet im angrenzenden Atelier nebenan die Finissage der Ausstellung stattfindet.
Parallel findet auch die Finissage der Ausstellung "Die Verzeichnung der Zeit" von Darja Shatalova im "whitedwarf Projects" (ebenfalls Seidlgasse 14) statt.
Nachdem die notgalerie diesen Sommer eine Translokation erfuhr, ist die Ausstellung im Kunstraum LLLLLL in der Seidlgasse die erste Überführung der notgalerie in einen Ausstellungskontext außerhalb ihres eigenen Körpers.
Die Ausstellung zeigt Arbeiten welche im Kontext der notgalerie und ihrer Translokation im Sommer 2017 entstanden sind und verknüpft diese mit Artefakten des Gebäudes.
Auf diese Weise wird ein neuer Kontext erzeugt und gleichzeitig die dadurch entstehenden Aufladungen untersucht.
Die Ausstellung erweitert sich über den Ausstellungsraum in die Atelierräumlichkeiten und den dort befindlichen Barbereich des Ausstellungsraumes LLLLLL.
Andreas Perkmann Berger zeigt mit der Arbeit "Le déjeuner II" eine digitale Fotocollage der notgalerie, welche in einer Auflage von hundert Stück produziert wurde. Christoph Schwarz 2 Kanal Videoarbeit "Christoph hat die Marillen organisiert, trinkt Bier und nennt das dann Controlling" dokumentierte die Übersiedlung der notgalerie. Christoph Srb produzierte diesen Sommer die "Wanderbar", eine Bar aus Styropor. Im Rahmen der aktuellen Ausstellung zeigt er deren Prototypen welcher bereits 2016 zum ersten mal im Einsatz war und nun neu interpretiert wird. Kristin Weissenbergers Installation fing diesen Sommer die ätherischen Essenzen des alten Grundstücks der notgalerie am Ulanenweg ein und setzt diese nun wieder frei. Reinhold Zisser untersucht den Werkskörper eigener, der notgalerie vorangegangener Arbeiten, welche mit Versatzstücken der notgalerie konfrontiert werden.
Foto:Bernard Ammerer
LLLLLL
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
mit Unterstützung durch das BKA
colorfields
Michael Kargl & Kay Walkowiak
kuratiert von Anna Spohn
Eröffnung:
Donnerstag 9.11.2017, 19:00 Uhr
10. bis 25.11.2017
Kay Walkowiak:
www.kaywalkowiak.com
Michael Kargl:
www.michaelkargl.com
LLLLLL
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
open on request: 0650 6554505
mit Unterstützung durch das BKA
new works #3
Thea Moeller
Vernissage: Dienstag 24. Oktober 2017 - 19:00
Dauer der Ausstellung: 25.Oktober - 3.November
Mit der Ausstellung von Thea Moeller findet das Ausstellungsformat "new works" zum dritten mal statt
Bei diesem Format präsentiert jeweils eine KünsterIn neue Arbeiten im Austellungsraum. Das Format orientiert sich am open studio, bedient sich aber des Displays des Ausstellungsraumes.
Dieses spontaner geführte Format soll KünstlerInnen die Möglichkeit geben Ihre aktuellen Arbeiten genauer zu untersuchen und gleichzeitig den Besuchern erlauben, Einblick in laufende künstlerische Prozesse und Überlegungen zu nehmen.
LLLLLL
Seidlgasse 14, 1030 Wien
www.LLLLLL.at
info@LLLLLL.at
Thea Moeller
www.theamoeller.de
open on request: 0650 6554505
mit Unterstützung durch das BKA
Entangled Reality
Curated by Ruxmini Choudhury
Opening: September 5 - Tuesday - 7.pm
Ruxmini Choudhury is a young art enthusiast working as an assistant curator at the Samdani Art Foundation in Bangladesh.
https:// www.samdani.com.bd/
Shes coming to vienna for one week to set up this exhibition in LLLLLL.
She worked together with several young Bangladeshi artists.
following the short text from Ruxmini Choudhury on the exhibition.
“Reality is that which, when you stop believing in it, doesn't go away.”- Philip K. Dick
The exhibition looks into the consciousness of the realities around us from the socio-political context. I have selected the works of the five artists through a long conversation with each one, which sometimes went for few months. Through series of conversations I chose the works which reflect their perception of their realities. This exhibition is an attempt to discuss the current situation of our society, both local and global, through five different standpoints.
Artists List
Dinar Sultana (b.1989, Joypurhat, Bangladesh)
Emran Sohel (b.1984, Dhaka, Bangladesh )
Marzia Farhana (b.1985, Dhaka, Bangladesh)
Mizanur Rahman Chowdhury (b.1981, Noakhali, Bangladesh)
S. G. Shoubhik (b.1991, Comilla, Bangladesh)
September 6 -October 3, 2017
Opening: September 5 (Tuesday) at 7 p.m
□□□□□■
Seidlgasse 14, 1030 Wien
www.LLLLLL.at info@LLLLLL.at
open on request: 0650 6554505m
mit Unterstützung durch das BKA und den Bezirk Landstraße
Influenced Nightmare
Anne Glassner
& Alfred Lenz
Bei der Vernissage wird eine Perfomance stattfinden, in welcher Anne Glassner mit einer Installation von Alfred Lenz interagiert.
During the opening Anne Glassner will do a performance in which she interacts with an installation of Alfred Lenz.
June 15 - July 17, 2017
Opening: June 14 (Wednesday) at 7 p.m.
Talk about nightmares: June 28 (Wednesday) at 6 p.m.
□□□□□■
Seidlgasse 14, 1030 Wien
www.LLLLLL.at info@LLLLLL.at
open on request: 0650 6554505m
mit Unterstützung durch das BKA
Seidlgassenzeit
Helmut & Johanna Kandl
May 10 - June 9, 2017
Opening: May 9 (Tuesday) at 7 p.m.
□□□□□■
Seidlgasse 14, 1030 Wien
www.LLLLLL.at info@LLLLLL.at
open on request: 0650 6554505m
mit Unterstützung durch das BKA
new works #2
Martin Chramosta
April 26 - June 5, 2017
Opening reception: April 25 (Tuesday) at 7 p.m.
Die Reliefs von Martin Chramosta bestehen aus Gips oder Wachs.
Sie tragen französische Titel. Es handelt sich um geschlossene, begrenzte, autonome Werke. Um gestische Kompositionen kleinen und mittleren Formats.
In der Starre ihrer bewegten Züge, im Volumen ihrer Schraffuren, im Graben ihrer Striche kreuzen sich Zeichnung und Plastik. Etwas Archäologisches haftet den Werken an. Stilepochen klingen in ihnen nach. Ihre Motive sind abstrakt. Sakral. Kubistisch. Mythisch. Sportlich. Dystopisch. Provinziell. Profan. Et cetera.
Martin Chramosta untersucht historische Formen auf ihren zeitgenössischen Wert und ihre gesellschaftliche Relevanz. Aus ihnen modelliert er Assemblagen materieller und ideeller Natur, die sich in verschiedenen Medien wie Skulptur, Zeichnung, Relief, Video oder Performance kristallisieren.
Er studierte Bildhauerei, Performance und Kunstvermittlung an der HGK Basel und der HK Bern.
/////
The reliefs of Martin Chramosta are made of plaster or wax.
They have French titles. They are closed, limited, autonomous works. They are Gestural compositions of small and medium format.
Drawing and sculpture cross in the rigidity of their moving features, in the volume of their hatching, in the digging of their strokes. Styles of recent art history resonate in them. They look a bit like fossils and their motifs are abstract, cubist, mythical, athletic, dystopic, provincial, profane. Et cetera
Martin Chramosta examines historical forms and archetypes for their contemporary value and their social relevance.
His material and ideal assemblages crystallize in various media such as sculpture, drawing, video or performance.
He studied sculpture, performance and art education at the HGK Basel and the HK Bern.
new works ist ein eigenes Ausstellungsformat von □□□□□■ das mit der Schau von Martin Chramosta zum zweiten mal stattfindet. Beim Format new works präsentiert jeweils eine KünsterIn neue Arbeiten im Austellungsraum. Das Format orientiert sich am open studio, bedient sich aber des Displays des Ausstellungsraumes.
Dieses spontaner geführte Format soll KünstlerInnen die Möglichkeit geben Ihre aktuellen Arbeiten genauer zu untersuchen und gleichzeitig den Besuchern erlauben, Einblick in laufende künstlerische Prozesse und Überlegungen zu nehmen.
□□□□□■
Seidlgasse 14, 1030 Wien
www.LLLLLL.at info@LLLLLL.at
open on request: 0650 6554505m
(IM)PERSONAL
Bernd Oppl & Bogomir Doringer
Ibro Hasanovic / Christoph Srb
Kamen Stoyanov / Katharina Swoboda
Curated by Boris Kostadinov
in cooperation with Leo Kuelbs Collection New York - Berlin
March 3 - 30, 2017
Opening reception: March 2 (Thursday) at 7 p.m.
Artist talk / finissage: March 30 (Thursday) at 5 p.m.
□□□□□■
Seidlgasse 14, 1030 Wien
www.LLLLLL.at info@LLLLLL.at
open on request: 0650 6554505m
Rotkäppchen liebt Bier
Katharina Karner / Adrienn Kiss / Kiminari Ohata / Adam Dane
curated by Reinhold Zisser
vernissage: thursday, 26 jannuary 2017, 7pm
duration: 27 january - 23 February 2017
artist talk / finissage: thursday, 23 february, 5pm
Artist Run Space LLLLLL wird gefördert durch:
